Sarah Kanning

"People: there's nothing like us."

in case you needed more proof that Jim C. Hines is awesome

Written By: Sarah Kanning - Jan• 30•12

I commented on Jim C. Hines’ excellent essay about writing about rape in fiction (particularly speculative fiction) a couple of weeks ago. He impressed me then, but now he is my hero, because I have seen this:

Writer Jim C. Hines Poses As The Women On The Covers Of Fantasy Books

THIS is what a feminist looks like:

Thank you, Jim C. Hines, for risking ruptured/herniated disks for the sake of furthering the discourse on representation of women on speculative fiction book covers in this astute visual commentary. Well done, sir, well done.

P.S. – thanks to Forest B. for the link!

what a writer can learn from reading 100 books and serving on an ALA committee

Written By: Sarah Kanning - Jan• 25•12

Early in 2011 (or maybe late in 2010?) my friend Arla sidled up to me and started asking a few not-very-innocent questions.

“You’re in library school now, right?”

I assented to the factuality of the statement.

“How would you like to get a bunch of free books?”

After a bit of back-and-forth, I agreed to serve on the Over the Rainbow Reading List Committee, which Arla was chairing. The committee selects a long list of well-written books with significant, authentic GLBTIQ content  published in the previous 18 months or so (there’s some overlap so books published late in the year don’t get short shrift).

Our committee selected 74 titles for the 2012 list, including our top ten picks (find them here).

It was a lot of fun, and I read a lot of books I never would have discovered otherwise.

What I learned as a writer

  1. You cannot predict quality based on the size of the publishing house putting out a particular book. Quite a few books from small presses made the list, and there were books from presses large and small that didn’t make the cut. And we did have several independently published books that made the list.
  2. There are quite a few books with GLBTIQ themes published in a year. We considered 140 books, and that doesn’t even include erotica titles. As someone who likes to populate her stories with characters who are not all straight, including queer protagonists, I was happy to see so many books from all kind of publishers.
  3. The little guys can make a big difference. Because it’s what I write, I paid special attention to speculative fiction. Lethe Press, run by Steve Berman, had five titles on our list this year (one graphic novel, one book of short stories, and three speculative fiction anthologies), which I think was more than any other publisher. (I’m hedging that, because  I can never remember all the subsidiaries and who owns who.) Not bad for what seems to be mostly a one-man shop.

Learn more here: Over the Rainbow Books.

P.S. – Also because I was on the committee, I went to the ALA Midwinter meeting, where I got to shake Jeannette Winterson’s hand and get a signed copy of her new memoir. She was very gracious in the face of my dorky introversion. That’s me on the far right in the photo; Jeannette Winterson is the tiny woman not holding a book.

P.P.S – Also at the Midwinter meeting, I got to see a bunch of public librarians screaming, literally screaming at the top of their lungs like fangirls at a Twilight movie on opening night, at the announcement of the Printz, Caldecott and Newbery awards. Seriously. I have never seen a bunch of librarians so excited about anything. Apparently they were VERY excited about the Printz winner this year, Where Things Come Back by John Corey Whaley (Atheneum Books for Young Readers). The Geisel winner also looks like a lot of fun.

 

outer alliance recommends workshops for glbtiq writers

Written By: Sarah Kanning - Jan• 18•12

Just read this post (and added my two cents, too) on the Outer Alliance, about workshops and writing teachers who are friendly to and supportive of GLBTIQ writers and writing. (They use the term QUILTBAG, which I love, and which may be gaining enough traction that I can actually start using.)

If you’re different from many of your peers, it can feel even more risky to bring your creative work to a critique group or writing class. You may find yourself trying to parse the comments and advice from the instructor or the other students, wondering whether they are being too harsh because they don’t understand your work, or glossing over problems in the writing because they don’t want to engage with the material.

It takes sensitivity, skill and grace to embrace those differences and help create a supportive, useful working environment. Not everybody can do that, so I’m happy to see the post and hope to see the list of recommendations grow!

free e-book from chizine until 2am EST Saturday

Written By: Sarah Kanning - Jan• 14•12
Cover of The Door to Lost Pages

Free e-book as a Friday the 13th promotion? Count me in!

The good folks over at ChiZine Publications are offering folks the choice of any of their e-books, free for the asking.

I just requested A Rope of Thorns by Gemma Files (haven’t read the first book  yet, but I’ve heard good things about the series), and have already read and would very much recommend The Door to Lost Pages by Claude Lalumière – I love the prose on that one, and it’s a very imaginative story, with a mysterious bookstore, so there you go.

The titles run the gamut from slightly dark fantasy to straight-up horror. Go have fun, kids.

http://chizinepublications.blogspot.com/2012/01/free-ebooks-for-friday-13th.html

Jim C. Hines on writing about rape in fiction

Written By: Sarah Kanning - Jan• 05•12

I highly recommend this essay by Jim C. Hines, just published over at Apex, about the perils and pitfalls writers may encounter if they choose to write about rape and other sexual violence in their fiction. It’s a thoughtful piece (not surprising given his experience as a rape counselor) and he dismantles a lot of tired old tropes, clichés, and myths about rape along the way.

He isn’t the first person to point this out–see also Karen Healey’s posts on her blog, Girls Read Comics and They’re Pissed, for a similar discussion about comics. I think his essay makes a useful contribution because it offers writers some ideas about how to write about sexual violence in a way that does not diminish, belittle, or sensationalize the experiences of those who have been through it. He also advises writers to stop and think about whether they are using rape as a shorthand plot device, to show how evil an antagonist is, or as a one-note motivation for a character (rape victim turns vigilante, for example).

You can find out more about Hines and his work here: www.jimchines.com